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<channel>
	<title>fernando gregório</title>
	<link>https://fernandogregor.io</link>
	<description>fernando gregório</description>
	<pubDate>Thu, 16 Jul 2026 21:42:25 +0000</pubDate>
	<generator>https://fernandogregor.io</generator>
	<language>en</language>
	
		
	<item>
		<title>menu mobile</title>
				
		<link>https://fernandogregor.io/menu-mobile</link>

		<pubDate>Mon, 19 Dec 2022 20:59:45 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/menu-mobile</guid>

		<description>︎I’m a creative technologist, producer, and educator based in Brooklyn, NY. I have a graduate degree from NYU’s Interactive Telecommunications Program (ITP) and more than fifteen years of experience creating experimental storytelling through AI media, video, AR/XR, live performance, and new media art. Contact me for more information or work requests.
CONTACT
RESUME
LINKEDIN
SELECTED PROJECTS&#38;nbsp;

Lucilia Sericata
 VIDEO/AI/XR/INSTALLATION
Secret Society Butterflies
AR EFFECT SERIES
Augmented Performance Lab
WORKSHOP
</description>
		
	</item>
		
		
	<item>
		<title>lucilia sericata</title>
				
		<link>https://fernandogregor.io/lucilia-sericata</link>

		<pubDate>Wed, 15 Jul 2026 21:59:36 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/lucilia-sericata</guid>

		<description>


	LUCILIA SERICATA&#38;nbsp; &#38;nbsp;VIDEO/AI/XR/INSTALLATION&#38;nbsp; 2026&#38;nbsp; &#38;nbsp;
CLIENT: SESC 24 DE MAIO &#38;nbsp;
POSITION: CREATIVE TECHNOLOGIST TOOLS: ADOBE CREATIVE CLOUD, SORA, RUNWAY, KLING AI, OBS STUDIO, LENS STUDIO, BLENDER
Lucilia Sericata is a choreographic installation that uses bodily and videographic technologies to establish a game of superimpositions between body and image, tensioning fictional patterns constructed for a Black woman.


The choreographic installation articulates dance, performance, visual arts, and augmented reality (AR) with

the intention of fictionalizing, through recognizable and inaugural patterns, the body and ambience for a Black woman. It is a formal study of presence, performance, and virtuality.&#38;nbsp;

&#60;img width="2449" height="1633" width_o="2449" height_o="1633" data-src="https://freight.cargo.site/t/original/i/4b5af85871cb07e5884e10cdaed76f16393c6659d4bd44710390d2c138312d5d/Mayra_Azzi-05077.JPG" data-mid="250449911" border="0"  src="https://freight.cargo.site/w/1000/i/4b5af85871cb07e5884e10cdaed76f16393c6659d4bd44710390d2c138312d5d/Mayra_Azzi-05077.JPG" /&#62;Performer interacts live with AR mask while dancing, SESC 24 de Maio, São Paulo, May, 2026.
As the project’s video and augmented reality designer, I developed its visual language and created a series of AI-generated videos and AR elements that layered virtual imagery with the performer’s body. The projections were designed not as a background, but as an active presence within the performance, creating an evolving dialogue between physical and digital bodies while supporting the work’s exploration of transformation, regeneration, and the fictional representations imposed on Black women.

&#60;img width="2449" height="1633" width_o="2449" height_o="1633" data-src="https://freight.cargo.site/t/original/i/60eed4add6f5efa6e74e8695ace1d1ca7918fd0a0bc990dd1060ebaf5c911318/Mayra_Azzi-04915.JPG" data-mid="250449895" border="0"  src="https://freight.cargo.site/w/1000/i/60eed4add6f5efa6e74e8695ace1d1ca7918fd0a0bc990dd1060ebaf5c911318/Mayra_Azzi-04915.JPG" /&#62;Video interaction view during performance at SESC 24 de Maio, São Paulo, May, 2026.

Selected screenshots and GIFs from the AI-generated videos are shown below. Full-length videos are available upon request.


&#60;img width="2282" height="1364" width_o="2282" height_o="1364" data-src="https://freight.cargo.site/t/original/i/26373edc9958bf30364f0b130e2fe0f9be0e9318565db80fd80cfbd8e71c9d23/Screenshot-2026-07-15-at-6.34.20PM.png" data-mid="250449972" border="0"  src="https://freight.cargo.site/w/1000/i/26373edc9958bf30364f0b130e2fe0f9be0e9318565db80fd80cfbd8e71c9d23/Screenshot-2026-07-15-at-6.34.20PM.png" /&#62;
&#60;img width="540" height="304" width_o="540" height_o="304" data-src="https://freight.cargo.site/t/original/i/b0ba967e17fa7d10298252762046f19480c287bdd387666576dd2de05135131d/Untitled---July-15--2026-at-18.38.08.gif" data-mid="250450021" border="0"  src="https://freight.cargo.site/w/540/i/b0ba967e17fa7d10298252762046f19480c287bdd387666576dd2de05135131d/Untitled---July-15--2026-at-18.38.08.gif" /&#62;

&#60;img width="1184" height="666" width_o="1184" height_o="666" data-src="https://freight.cargo.site/t/original/i/4acb7174195c955804270a116ee11124fa868c4cbb1d96c8ef04a307fed192ee/Untitled---July-16--2026-at-12.41.44-1.gif" data-mid="250469910" border="0"  src="https://freight.cargo.site/w/1000/i/4acb7174195c955804270a116ee11124fa868c4cbb1d96c8ef04a307fed192ee/Untitled---July-16--2026-at-12.41.44-1.gif" /&#62;



A NOTE ON CREATIVE PROCESS - BEHIND THE IMAGE-GENERATION-PROCESS

The 3D digital clay heads we see dancing in Lucilia are the result of a complex algorithmic process. I asked Carmen and Dani to write short biographies of Black women—from the past and the future. The image-generation system I created begins with text. The short biographies they wrote function as the emotional “source code” for each image. Instead of describing physical features to the machine, the system is fed the character’s life story: where she came from, her dreams, her frustrations, and her legacy. This textual input is then combined with the root heads: a digital scan of Dani’s head, a photograph of her mother, Terezinha, and another of her aunt,Tânia.
&#60;img width="2578" height="1444" width_o="2578" height_o="1444" data-src="https://freight.cargo.site/t/original/i/cd9ae890fbc4d771b694a6e3a98e2003ebec5b705aeeccff57f4f8e4ac62a50c/Screenshot-2026-07-16-at-1.34.24PM.png" data-mid="250470955" border="0"  src="https://freight.cargo.site/w/1000/i/cd9ae890fbc4d771b694a6e3a98e2003ebec5b705aeeccff57f4f8e4ac62a50c/Screenshot-2026-07-16-at-1.34.24PM.png" /&#62;&#60;img width="1998" height="1154" width_o="1998" height_o="1154" data-src="https://freight.cargo.site/t/original/i/8ee687e1e2039fd32ef361eacc2c077a3a423c14ab99424ab65384f848df9e39/Screenshot-2026-04-29-at-4.55.08PM.png" data-mid="250470841" border="0"  src="https://freight.cargo.site/w/1000/i/8ee687e1e2039fd32ef361eacc2c077a3a423c14ab99424ab65384f848df9e39/Screenshot-2026-04-29-at-4.55.08PM.png" /&#62;
As it processes these stories, the machine reveals a structural bias: it tends to reproduce the same facial pattern for Black women, regardless of how different the biographies are. The process, therefore, requires an intervening system that translates the stories into distinct imagined facial morphologies, along with restrictive commands designed to prevent repetition and force the algorithm to generate genuine diversity.

The aim is to honor the singularity of each story while also dancing with the AI system's machine-made visual repertoire. The result is a series of ancestor-futurist entities that share the many-mouthed pipe running through this work.


&#60;img width="626" height="352" width_o="626" height_o="352" data-src="https://freight.cargo.site/t/original/i/a4ffbf6cc5c0f4ead785e72cd69dd33790c8a30889b4a0e1a5ade7fedb87a7a7/Untitled---July-21--2026-at-15.17.57-3.gif" data-mid="250591278" border="0"  src="https://freight.cargo.site/w/626/i/a4ffbf6cc5c0f4ead785e72cd69dd33790c8a30889b4a0e1a5ade7fedb87a7a7/Untitled---July-21--2026-at-15.17.57-3.gif" /&#62;



	CREDITS












DANIELLI MENDES
conception, choreography, and performance


CARMEN LUZ
direction and dramaturgy


FERNANDO GREGÓRIO
video, projection, and augmented reality design


FELINTO
original soundtrack


GIL DOUGLAS
sound setup


LAURA SALERNO
lighting design


	ANDREA GUZMAN JEREZcostume and props design

FELIPE SAMORANOtailoring

MATIAS IVAN ARCEstage technician

MAYRA AZZIphotography and

full performance video
MARCUS BRAGAgraphic design

IOLANDA SINATRAproduction

JULIA LACERDAproduction assistantLAYSLA LOYSElighting operation and setup


</description>
		
	</item>
		
		
	<item>
		<title>augmented performance laboratory</title>
				
		<link>https://fernandogregor.io/augmented-performance-laboratory</link>

		<pubDate>Thu, 16 Jul 2026 20:20:12 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/augmented-performance-laboratory</guid>

		<description>





	AUGMENTEND PERFORMANCE LAB&#38;nbsp; &#38;nbsp; AR/AI WORKSHOP&#38;nbsp; &#38;nbsp; 2026

CLIENT: SESC 24 DE MAIO&#38;nbsp; &#38;nbsp; POSITION: EDUCATOR&#38;nbsp; &#38;nbsp; 
TOOLS: ADOBE CREATIVE CLOUD, SNAP LENS, RUNWAY, OBS, PROJECTION, PERFORMANCE
Augmented Performance Lab offers an experimental laboratory in video and performance, focusing on emerging image-making technologies such as augmented reality (AR) and artificial intelligence (AI).

&#60;img width="2449" height="1633" width_o="2449" height_o="1633" data-src="https://freight.cargo.site/t/original/i/225f0562effffd10770828793afb68a1bd46872c6d14fab525dd50044ac0a160/Mayra_Azzi-00664.JPG" data-mid="250474978" border="0"  src="https://freight.cargo.site/w/1000/i/225f0562effffd10770828793afb68a1bd46872c6d14fab525dd50044ac0a160/Mayra_Azzi-00664.JPG" /&#62;
&#60;img width="2449" height="1633" width_o="2449" height_o="1633" data-src="https://freight.cargo.site/t/original/i/25f325a3f58e441278e990ef5a0b90fd9ca6126b893cfea25de733439e9decd9/Mayra_Azzi-00705.JPG" data-mid="250474907" border="0"  src="https://freight.cargo.site/w/1000/i/25f325a3f58e441278e990ef5a0b90fd9ca6126b893cfea25de733439e9decd9/Mayra_Azzi-00705.JPG" /&#62;
&#60;img width="2449" height="1633" width_o="2449" height_o="1633" data-src="https://freight.cargo.site/t/original/i/7e11b96f7bc1511fba18282fa27f2d25e492204eb4b7e1c3f03f7b5d5687fc63/Mayra_Azzi-00740.JPG" data-mid="250474951" border="0"  src="https://freight.cargo.site/w/1000/i/7e11b96f7bc1511fba18282fa27f2d25e492204eb4b7e1c3f03f7b5d5687fc63/Mayra_Azzi-00740.JPG" /&#62;


The program is organized into two sessions, divided over two days. The first presents a conceptual and historical overview of video as both a technology and an artistic language, tracing developments from early research in artificial intelligence to contemporary creative practices. The second session takes the form of a practical and poetic lab, where participants develop performance prototypes using video in various formats, explore current production tools, and experiment with augmented reality.
&#60;img width="2616" height="1278" width_o="2616" height_o="1278" data-src="https://freight.cargo.site/t/original/i/7f7ec3e644162e8ddb5a1d1f250e815c9e674eb1eb07aedc7943967970b466ed/Screenshot-2026-07-16-at-1.52.54PM.png" data-mid="250474926" border="0"  src="https://freight.cargo.site/w/1000/i/7f7ec3e644162e8ddb5a1d1f250e815c9e674eb1eb07aedc7943967970b466ed/Screenshot-2026-07-16-at-1.52.54PM.png" /&#62;
Example of a slide presented during the first day of the lab, putting technology and art history side by side
Movement exercises and creative prompts guide reflections on the relationship between our bodies and technological systems in the present. The workshop approaches “technologies of augmentation” not only as digital tools, but as ancestor-futurist apparatuses capable of reshaping how bodies, images, and environments interact.



&#60;img width="2449" height="1633" width_o="2449" height_o="1633" data-src="https://freight.cargo.site/t/original/i/3d39c7f5024700b9f9793aa484c6bffcceb6e7c7ddc43a2ed323565e1b609201/Mayra_Azzi-00764.JPG" data-mid="250474949" border="0"  src="https://freight.cargo.site/w/1000/i/3d39c7f5024700b9f9793aa484c6bffcceb6e7c7ddc43a2ed323565e1b609201/Mayra_Azzi-00764.JPG" /&#62;
&#60;img width="2449" height="1633" width_o="2449" height_o="1633" data-src="https://freight.cargo.site/t/original/i/e1e034245ff823d9f9051e65bfa5b36fd61e7e32e9ab89e94b05ddf9b10eb58a/Mayra_Azzi-00829.JPG" data-mid="250474960" border="0"  src="https://freight.cargo.site/w/1000/i/e1e034245ff823d9f9051e65bfa5b36fd61e7e32e9ab89e94b05ddf9b10eb58a/Mayra_Azzi-00829.JPG" /&#62;
&#60;img width="2449" height="1633" width_o="2449" height_o="1633" data-src="https://freight.cargo.site/t/original/i/b66a26c0f6a19d07c3e59198f777d014a93d37cd9b5f03eba0cc21c97fdee0f6/Mayra_Azzi-00785.JPG" data-mid="250474946" border="0"  src="https://freight.cargo.site/w/1000/i/b66a26c0f6a19d07c3e59198f777d014a93d37cd9b5f03eba0cc21c97fdee0f6/Mayra_Azzi-00785.JPG" /&#62;

Some of the XR performance prototypes created by the students during the laboratory
</description>
		
	</item>
		
		
	<item>
		<title>book butterflies</title>
				
		<link>https://fernandogregor.io/book-butterflies</link>

		<pubDate>Wed, 04 Sep 2024 18:19:23 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/book-butterflies</guid>

		<description>


	SECRET SOCIETY&#38;nbsp; &#38;nbsp;AR FILTER&#38;nbsp; &#38;nbsp;2024&#38;nbsp; &#38;nbsp;
CLIENT:PENGUIN RANDOM HOUSE&#38;nbsp; &#38;nbsp;POSITION:AR DESIGNER
&#38;nbsp; TOOLS: SPARK AR, ADOBE ILLUSTRATOR AND BLENDER
Secret Society&#38;nbsp;is a young adult book label created by Penguin Random House Portugal. For its first 10 releases, I designed and developed a series of augmented reality butterflies for Instagram, each one connected to a different book cover. The butterflies were individually 3D modeled and animated to appear as though they were resting directly on the covers. These Instagram AR experiences enhanced the original artwork and brought the publisher’s vision of a butterfly collection to life as a digital extension of the book series.

&#60;img width="1322" height="2669" width_o="1322" height_o="2669" data-src="https://freight.cargo.site/t/original/i/78a4eedebe4d3447e62106f736c9fd06372660d30b77919e4a8e138e1b3e3326/BUTTERFLY_1.png" data-mid="250416633" border="0"  src="https://freight.cargo.site/w/1000/i/78a4eedebe4d3447e62106f736c9fd06372660d30b77919e4a8e138e1b3e3326/BUTTERFLY_1.png" /&#62;
&#60;img width="330" height="666" width_o="330" height_o="666" data-src="https://freight.cargo.site/t/original/i/d053d0e18d29bb203d676fda9e6fd68f2063dc578c1c5885870eab2b5c0a2977/Untitled---July-14--2026-at-16.02.49.gif" data-mid="250416482" border="0"  src="https://freight.cargo.site/w/330/i/d053d0e18d29bb203d676fda9e6fd68f2063dc578c1c5885870eab2b5c0a2977/Untitled---July-14--2026-at-16.02.49.gif" /&#62;






</description>
		
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	<item>
		<title>ignoto vibrations </title>
				
		<link>https://fernandogregor.io/ignoto-vibrations-1</link>

		<pubDate>Thu, 16 Jul 2026 21:42:25 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/ignoto-vibrations-1</guid>

		<description>



IGNOTO VIBRATIONS&#38;nbsp; &#38;nbsp;XR SCULPTURE&#38;nbsp; &#38;nbsp;2022&#38;nbsp; &#38;nbsp;
CLIENT:RIO ART MUSEUM (MAR), GOETHE INSTITUTE&#38;nbsp; 
POSITION:XR DIRECTOR AND CREATOR&#38;nbsp; 
TOOLS: ADOBE AERO (PROTOTYPING), 8TH WALL, BLENDER, MIRO


	
Ignoto Vibrations is a mixed-reality sculpture series and performance commissioned for the Museum Conference at Rio Art Museum (MAR) in Brazil. I co-created the project in collaboration with the artist Rodrigo Andreolli and the architect Marilia Piraju. As an XR director, I coordinated an international team of tech professionals (AR developer, 3D modeler, and animator) and designed the user experience. 
The fire at the National Museum of Rio de Janeiro on September 2, 2018, created images loaded with symbolic force about the treatment conditions given to Brazil's scientific and cultural research. This fire caused the loss of the most important museum collections in the country's history, but at the same time made us reflect on the weight of certain historical narratives, urging us to trace new memories that re-exist beyond the destroyed matter. Fire, in its tragic manifestation, also reaches its transcendental aspect.
Based on the study of narratives brought by researchers and members of the National Museum collection rescue team, this project proposes a prototype exhibition in Mixed Reality, motivated by 3D scans of some of the recovered pieces and the memories lost in the fire.

&#60;img width="2600" height="1456" width_o="2600" height_o="1456" data-src="https://freight.cargo.site/t/original/i/7e17bfba752fd360e5b2cf875bb003d26bc72f8fdf922716990756919ca38ef0/1.jpg" data-mid="250476165" border="0"  src="https://freight.cargo.site/w/1000/i/7e17bfba752fd360e5b2cf875bb003d26bc72f8fdf922716990756919ca38ef0/1.jpg" /&#62;&#60;img width="2600" height="1454" width_o="2600" height_o="1454" data-src="https://freight.cargo.site/t/original/i/0e57697788cfba6458970b70a4dd1fdd6429de904a2a79a8d62dd1dbc0991f82/2.jpg" data-mid="250476166" border="0"  src="https://freight.cargo.site/w/1000/i/0e57697788cfba6458970b70a4dd1fdd6429de904a2a79a8d62dd1dbc0991f82/2.jpg" /&#62;&#60;img width="2594" height="1454" width_o="2594" height_o="1454" data-src="https://freight.cargo.site/t/original/i/337819e6cdb2749e04b0351b5d41ee8883dcead31513666efd9e6273b411276c/a.jpg" data-mid="250476167" border="0"  src="https://freight.cargo.site/w/1000/i/337819e6cdb2749e04b0351b5d41ee8883dcead31513666efd9e6273b411276c/a.jpg" /&#62;&#60;img width="2596" height="1466" width_o="2596" height_o="1466" data-src="https://freight.cargo.site/t/original/i/340e17f5137fb83bb24eeb6fc5ec957e88fbbad62d159d740f56ca8d908e1134/b.jpg" data-mid="250476168" border="0"  src="https://freight.cargo.site/w/1000/i/340e17f5137fb83bb24eeb6fc5ec957e88fbbad62d159d740f56ca8d908e1134/b.jpg" /&#62;&#60;img width="2592" height="1456" width_o="2592" height_o="1456" data-src="https://freight.cargo.site/t/original/i/9b05f34c9e873ad9aa658206c5d14193c971cbe40a12482c763a4a28045f7066/c.jpg" data-mid="250476169" border="0"  src="https://freight.cargo.site/w/1000/i/9b05f34c9e873ad9aa658206c5d14193c971cbe40a12482c763a4a28045f7066/c.jpg" /&#62;



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&#60;img width="533" height="1079" width_o="533" height_o="1079" data-src="https://freight.cargo.site/t/original/i/b71636e618a3687221ade0bf93cc948918d1207d78839038da7fd36bca4d1c7d/ignoto-4.gif" data-mid="250476182" border="0"  src="https://freight.cargo.site/w/533/i/b71636e618a3687221ade0bf93cc948918d1207d78839038da7fd36bca4d1c7d/ignoto-4.gif" /&#62;
&#60;img width="537" height="1079" width_o="537" height_o="1079" data-src="https://freight.cargo.site/t/original/i/359d34c0d4b07587a196b06fae27fc319a40e722c23f7f2f1f2cf88805077bbf/ignoto-5.gif" data-mid="250476181" border="0"  src="https://freight.cargo.site/w/537/i/359d34c0d4b07587a196b06fae27fc319a40e722c23f7f2f1f2cf88805077bbf/ignoto-5.gif" /&#62;

CREATION PROCESS

&#60;img width="1600" height="1200" width_o="1600" height_o="1200" data-src="https://freight.cargo.site/t/original/i/9a50a84fa438dc6808ead132d0d978e52e1800403f60edf5f234c9abc92dfd94/process-1.jpg" data-mid="250476175" border="0"  src="https://freight.cargo.site/w/1000/i/9a50a84fa438dc6808ead132d0d978e52e1800403f60edf5f234c9abc92dfd94/process-1.jpg" /&#62;
&#60;img width="1280" height="719" width_o="1280" height_o="719" data-src="https://freight.cargo.site/t/original/i/31408c8a6a346ec0c09bf62b1c93219d58135698b5869c1b2b50841af13e47f0/process2.jpg" data-mid="250476176" border="0"  src="https://freight.cargo.site/w/1000/i/31408c8a6a346ec0c09bf62b1c93219d58135698b5869c1b2b50841af13e47f0/process2.jpg" /&#62;
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&#60;img width="2880" height="1574" width_o="2880" height_o="1574" data-src="https://freight.cargo.site/t/original/i/de83aba335e6083dd5d014529ad37952d7dc94ff94f7885cf068e70bc8365bb9/process5.png" data-mid="250476178" border="0"  src="https://freight.cargo.site/w/1000/i/de83aba335e6083dd5d014529ad37952d7dc94ff94f7885cf068e70bc8365bb9/process5.png" /&#62;
&#60;img width="4288" height="3730" width_o="4288" height_o="3730" data-src="https://freight.cargo.site/t/original/i/eec54c9c4b3bf54bca21437501f8a91b99fda062e1c47ea0eff513903bdce332/process4.jpg" data-mid="250476180" border="0"  src="https://freight.cargo.site/w/1000/i/eec54c9c4b3bf54bca21437501f8a91b99fda062e1c47ea0eff513903bdce332/process4.jpg" /&#62;





	CREDITS
Research Direction, Creation, Production: Rodrigo Andreolli
Mixed Reality Director, Creation: Fernando Gregório
Creation, Scenic Architecture: Marília Pirajú
Augmented Reality Development: Name Atchareeya Jattuporn
Animation and 3D Modeling: Gabriel Brasil
Texts, Drawings and Performance:
Bruxa Profana Latino-americana
Clamor
Fernando Gregorio
João Vitor Cavalcante
Moonlight Mendez
Marília Piraju
Rodrigo Andreolli
Vick Nefertiti
Musicians
André Souza
Kaio Ventura
Design, sound editing and audiovisual recording
Renato Pascoal
Illustrations
Nash Laila
Vincent
Assistant
Valerie Chen
Locksmith
Maurício - Fina Serralheria - Bixiga, São Paulo
Consultancy
Mother Celina de Xango

Thanks
Antonia Cattan
Carolina Bonfim
Clelio de Paula
Fel Barros
Flavia Meirelles
Gustavo Caboco
Henrique Entratice
Lucas Canavarro
Luiz Cruz
Maria Catarina Duncan
Renato Caldas
Rosabelli Coelho-Keyssar



	Collaboration
Goethe Institut Rio de Janeiro
Fernanda Galvão, Julian Fuchs, Robin Mallick
National Museum of Rio de Janeiro
Crenivaldo Veloso Jr., João Pacheco de Oliveira, Maria Elizabeth Zucolotto, Maria Gabriela Evangelista, Juliana Sayão, Michele de Barcelos Agostinho, Paula de Aguiar Silva Azevedo, Pedro Luis Von Seehausen, Rafael de Andrade, Sergio Alex Kugland de Azevedo, Silvia Reis
LAPID - Image and Signal Processing Laboratory - UFRJ - Federal University of Rio de Janeiro
Bendegó and Heart Scarab 3D Models provided by LAPID
3D Abebé de Oxum and Ritxokó models created by Rodrigo Andreolli and Gabriel Brasil from images by Pedro Von Seehausen
Support
MISTI Brazil - Massachusetts Institute of Technology
Rio Art Museum
Teatro Oficina
Universidade Antropófaga

</description>
		
	</item>
		
		
	<item>
		<title>line players</title>
				
		<link>https://fernandogregor.io/line-players</link>

		<pubDate>Wed, 11 Jan 2023 00:13:17 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/line-players</guid>

		<description>

.link:hover {
color:rgba(216, 255, 0, 0.9) !important;
}





	LINE PLAYERS&#38;nbsp; &#38;nbsp;AR FILTER&#38;nbsp; &#38;nbsp;2022&#38;nbsp; &#38;nbsp;
CLIENT:META OPEN ARTS&#38;nbsp; &#38;nbsp;POSITION:AR DESIGNER
&#38;nbsp; TOOLS: SPARK AR, ADOBE ILLUSTRATOR AND BLENDER
Line Players is an AR collective game experience for Instagram Reels based on retro game references and futuristic XR glasses design. It was created in collaboration with Meta Open Arts. The effect interprets the design identity and key visual assets for a Meta international event in Palo Alto, California, in September 2022.
The project included physical activation stations with backdrops and QR codes during a private event in Palo Alto, California.





&#60;img width="437" height="882" width_o="437" height_o="882" data-src="https://freight.cargo.site/t/original/i/09ca3089710c536de9853540f10d77693030ddf8c0c19f82dc7ccf406646dc69/1.png" data-mid="164295516" border="0"  src="https://freight.cargo.site/w/437/i/09ca3089710c536de9853540f10d77693030ddf8c0c19f82dc7ccf406646dc69/1.png" /&#62;
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&#60;img width="437" height="882" width_o="437" height_o="882" data-src="https://freight.cargo.site/t/original/i/6f7b60417a23b2572c055605edf75f22ea3d98aac0d449fbb591b22c2c2f1a59/3.png" data-mid="164295518" border="0"  src="https://freight.cargo.site/w/437/i/6f7b60417a23b2572c055605edf75f22ea3d98aac0d449fbb591b22c2c2f1a59/3.png" /&#62;
&#60;img width="540" height="1083" width_o="540" height_o="1083" data-src="https://freight.cargo.site/t/original/i/2ea41b3f57e3ec2b5390d1edb1d27d872ee16132ffcfe0b9a82502b98f3bf4a7/4.gif" data-mid="164295519" border="0"  src="https://freight.cargo.site/w/540/i/2ea41b3f57e3ec2b5390d1edb1d27d872ee16132ffcfe0b9a82502b98f3bf4a7/4.gif" /&#62;




	


CREATION PROCESS

&#60;img width="2870" height="1692" width_o="2870" height_o="1692" data-src="https://freight.cargo.site/t/original/i/3581b9a84f98340f240c8448c29903b26d5036a1384329f3f33bf7f7c1306baf/Process-Blender.png" data-mid="164295528" border="0"  src="https://freight.cargo.site/w/1000/i/3581b9a84f98340f240c8448c29903b26d5036a1384329f3f33bf7f7c1306baf/Process-Blender.png" /&#62;&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/859e421a9c736cb5f6ec9e5a3969503ced6eb209ce9e7cd24aee9f9f9147b6ab/Process-Illustrator.png" data-mid="164295529" border="0"  src="https://freight.cargo.site/w/1000/i/859e421a9c736cb5f6ec9e5a3969503ced6eb209ce9e7cd24aee9f9f9147b6ab/Process-Illustrator.png" /&#62;&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/4fbb7a4cc8da166887845d274c932c7aac582ade81da4835ced6fef287d5b32e/Process-SparkAR.png" data-mid="164295530" border="0"  src="https://freight.cargo.site/w/1000/i/4fbb7a4cc8da166887845d274c932c7aac582ade81da4835ced6fef287d5b32e/Process-SparkAR.png" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>mourning stage</title>
				
		<link>https://fernandogregor.io/mourning-stage</link>

		<pubDate>Thu, 20 Oct 2022 15:58:55 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/mourning-stage</guid>

		<description>
	MOURNING STAGE&#38;nbsp; &#38;nbsp;VISUAL EFFECTS(VFX)&#38;nbsp; &#38;nbsp;2022&#38;nbsp; &#38;nbsp;
CLIENT:CARLOS MOTTA AND SIMON(E) JAIKIRIUMA PAETAU&#38;nbsp; &#38;nbsp;
POSITION:VFX DESIGNER AND ANIMATOR &#38;nbsp;TOOLS:ADOBE AFTER EFFECTS, PREMIERE AND PHOTOSHOP
Mourning Stage is a film that uses a series of drawings as a performance score. I worked on creating visual effects using face-tracking technology to animate 2D masks created by the artist Carlos Motta and move in sync with Simon(e)’s Paetau performance. 
These images depict different renditions of the devil in hell. Among this group of demons, there are feminized characters that suggest sexual perversions as typified by the Catholic imagination. In the film, Simon(e) Paetau interprets and responds to the drawings using her body and facial expressions in a ritualistic performance, where the body, fetishized and colonized by morality, is mourned.

&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/88b71d8d81b2178a297087e6fe46e10d30b8ef645fdccff0302b038d47d6b06d/DSC01028.jpeg" data-mid="156514769" border="0"  src="https://freight.cargo.site/w/1000/i/88b71d8d81b2178a297087e6fe46e10d30b8ef645fdccff0302b038d47d6b06d/DSC01028.jpeg" /&#62;&#60;img width="2000" height="1342" width_o="2000" height_o="1342" data-src="https://freight.cargo.site/t/original/i/93f2cede714a0fa320a3c0896ce4fe51044aaea144bdcace241ee9f0017b5ab8/DSC01025.jpeg" data-mid="156514768" border="0" alt="Installation views at Wexner Center for the Arts, Columbus, 2022" data-caption="Installation views at Wexner Center for the Arts, Columbus, 2022" src="https://freight.cargo.site/w/1000/i/93f2cede714a0fa320a3c0896ce4fe51044aaea144bdcace241ee9f0017b5ab8/DSC01025.jpeg" /&#62;Installation views at Wexner Center for the Arts, Columbus, 2022
&#60;img width="2100" height="1167" width_o="2100" height_o="1167" data-src="https://freight.cargo.site/t/original/i/f08c38e719aa179345cfe57f5e9190a247c6a7273068bf994bcbafcfd2bb2bbc/2.jpeg" data-mid="156507731" border="0"  src="https://freight.cargo.site/w/1000/i/f08c38e719aa179345cfe57f5e9190a247c6a7273068bf994bcbafcfd2bb2bbc/2.jpeg" /&#62;

&#60;img width="540" height="304" width_o="540" height_o="304" data-src="https://freight.cargo.site/t/original/i/3c54486817534ac32ee014a01d53aa307a4ae6bbbaf3b4cbc49002ea872092f6/ms-gif2.gif" data-mid="156514748" border="0"  src="https://freight.cargo.site/w/540/i/3c54486817534ac32ee014a01d53aa307a4ae6bbbaf3b4cbc49002ea872092f6/ms-gif2.gif" /&#62;
&#60;img width="540" height="304" width_o="540" height_o="304" data-src="https://freight.cargo.site/t/original/i/747068add144a51592d5e65c72fab898173a945efcf7646e018177aadcb9e61e/ms-gif3.gif" data-mid="156514749" border="0"  src="https://freight.cargo.site/w/540/i/747068add144a51592d5e65c72fab898173a945efcf7646e018177aadcb9e61e/ms-gif3.gif" /&#62;
&#60;img width="540" height="304" width_o="540" height_o="304" data-src="https://freight.cargo.site/t/original/i/1e0f7338b4a6f2baa8e5fa370104766fefe772c0fdbc92aa6f81ceb65216238e/ms-gif4.gif" data-mid="156514750" border="0"  src="https://freight.cargo.site/w/540/i/1e0f7338b4a6f2baa8e5fa370104766fefe772c0fdbc92aa6f81ceb65216238e/ms-gif4.gif" /&#62;
&#60;img width="540" height="304" width_o="540" height_o="304" data-src="https://freight.cargo.site/t/original/i/60ed8bcc99349f653d4948a7262f4f74019d4d78fde2cf83170e251b36722674/ms-gif5.gif" data-mid="156514751" border="0"  src="https://freight.cargo.site/w/540/i/60ed8bcc99349f653d4948a7262f4f74019d4d78fde2cf83170e251b36722674/ms-gif5.gif" /&#62;
&#60;img width="540" height="304" width_o="540" height_o="304" data-src="https://freight.cargo.site/t/original/i/af51fa612a116825e68b1fe2e326711ccc31125c9fa6a9dbd44e1d132916ed19/ms-gif7.gif" data-mid="156514757" border="0"  src="https://freight.cargo.site/w/540/i/af51fa612a116825e68b1fe2e326711ccc31125c9fa6a9dbd44e1d132916ed19/ms-gif7.gif" /&#62;





	CREDITS

A video by Simon(e) Jaikiriuma Paetau and Carlos Motta

Performed by Simon(e) Jaikiriuma Paetau
Director of Photography
Lola Gómez Castello
Soundtrack
Isabel González Toro
Soundtrack Assistant
José Marulanda
Visual Design (VFX)
Fernando Gregório
Second Camera
Carlos Andrés López
Makeup
María Fernanda Cepeda
Titles
Lauryn Siegel
Colorists
Aleksander Bergan
Martin Backhaus
Sound Mix
Ian Turner

	Lighting Assistant
Luis Hernando Cubillos
Sound
Jesús Guevara
Photography
Camilo Delgado
Field Producer
Juan David Correal
Production Director
Paola Andrea Pérez Nieto
Production Coordinator
Catalina Patarroyo Velásquez
Production
Oficina Inercia Películas
Natalia Ordoñez García
Camilo Cárdenas Suárez
Alejandra Gómez Osorio
Sara Loboa
Elizabeth Hernández
Location
Espacio Odeón, Bogotá
Co-produced by the Wexner Center for the Arts, Columbus and Goethe Institute, Bogotá with support from XI Berlin Biennale
Special thanks to Alejandra Sarria, Espacio Odeón, Bogotá
</description>
		
	</item>
		
		
	<item>
		<title>augmented performance studio</title>
				
		<link>https://fernandogregor.io/augmented-performance-studio</link>

		<pubDate>Thu, 11 May 2023 02:01:04 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/augmented-performance-studio</guid>

		<description>





	AUGMENTEND PERFORMANCE STUDIO&#38;nbsp; &#38;nbsp; AR WORKSHOP&#38;nbsp; &#38;nbsp; 2022

CLIENT: SCHOOL OF THE ART INSTITUTE OF CHICAGO&#38;nbsp; &#38;nbsp; POSITION: AR EDUCATOR&#38;nbsp; &#38;nbsp; 
TOOLS: SPARK AR, ZOOM, PERFORMANCE



Augmented Performance Studio is a 4 hours workshop created when I had the honor of being a guest artist at the School of the Art Institute of Chicago. The experience was tailored for the Mixed Reality Performance class, taught by Mark Jeffrey and Judd Morrissey. The workshop offered an opportunity for students to explore the intersection of AR and performance, using Spark AR, hand-tracking techniques and performance dynamics.&#38;nbsp;

&#60;img width="2586" height="1450" width_o="2586" height_o="1450" data-src="https://freight.cargo.site/t/original/i/c40d689c7811c2aef6fddae0cbfc3a9873be236bf7df92a3fbe671c6c7abd0f1/Screen-Shot-2023-04-25-at-11.13.33-AM.png" data-mid="178415961" border="0"  src="https://freight.cargo.site/w/1000/i/c40d689c7811c2aef6fddae0cbfc3a9873be236bf7df92a3fbe671c6c7abd0f1/Screen-Shot-2023-04-25-at-11.13.33-AM.png" /&#62;
&#60;img width="2602" height="1376" width_o="2602" height_o="1376" data-src="https://freight.cargo.site/t/original/i/55b64fb93ad842f9125b900b01f24973b301aac4d730adcb8f2b74e97c3cd045/Screen-Shot-2023-04-25-at-11.15.16-AM.png" data-mid="178415962" border="0"  src="https://freight.cargo.site/w/1000/i/55b64fb93ad842f9125b900b01f24973b301aac4d730adcb8f2b74e97c3cd045/Screen-Shot-2023-04-25-at-11.15.16-AM.png" /&#62;
&#60;img width="2596" height="1380" width_o="2596" height_o="1380" data-src="https://freight.cargo.site/t/original/i/ea7cc44b83e259cdf3076de71a678790b75978b78885bea09e919f55cdfa8148/Screen-Shot-2023-04-25-at-11.15.34-AM.png" data-mid="178415963" border="0"  src="https://freight.cargo.site/w/1000/i/ea7cc44b83e259cdf3076de71a678790b75978b78885bea09e919f55cdfa8148/Screen-Shot-2023-04-25-at-11.15.34-AM.png" /&#62;
&#60;img width="2598" height="1384" width_o="2598" height_o="1384" data-src="https://freight.cargo.site/t/original/i/1dbd10fe7e3dbfa65152a53b75cf7f8650ec6a5def4c58452d5522f49c6fb86f/Screen-Shot-2023-04-25-at-11.15.44-AM.png" data-mid="178415965" border="0"  src="https://freight.cargo.site/w/1000/i/1dbd10fe7e3dbfa65152a53b75cf7f8650ec6a5def4c58452d5522f49c6fb86f/Screen-Shot-2023-04-25-at-11.15.44-AM.png" /&#62;
&#60;img width="2608" height="1460" width_o="2608" height_o="1460" data-src="https://freight.cargo.site/t/original/i/53d1a82108e9b623400e2717c7fb20e784191656e9402a71ed7132f9f396505b/Screen-Shot-2023-04-25-at-11.17.00-AM.png" data-mid="178415966" border="0"  src="https://freight.cargo.site/w/1000/i/53d1a82108e9b623400e2717c7fb20e784191656e9402a71ed7132f9f396505b/Screen-Shot-2023-04-25-at-11.17.00-AM.png" /&#62;
&#60;img width="2604" height="1460" width_o="2604" height_o="1460" data-src="https://freight.cargo.site/t/original/i/debdb556c2a1056911715e50966f5228ea6329dca712fb1abc4a129f722970bc/Screen-Shot-2023-04-25-at-11.17.40-AM.png" data-mid="178415967" border="0"  src="https://freight.cargo.site/w/1000/i/debdb556c2a1056911715e50966f5228ea6329dca712fb1abc4a129f722970bc/Screen-Shot-2023-04-25-at-11.17.40-AM.png" /&#62;

The workshop was taught via Zoom with the assistance of in&#38;nbsp;person professors and graduate assistants



TOPICS COVEREDDuring the workshop, we explored various topics related to augmented reality, such as:
Introduction to Augmented Reality (AR)
History of AR
Introduction to AI, Deep Learning, and Computer vision
Current State of AR and Future Possibilities
Presentation of my past works in the field
Conceptual and Poetic Approaches to Augmentation and Algorithms
Body Warm-up Focusing on Hands
Hands-on Spark AR Workshop with Hand Tracking Techniques
Student’s results presentation for Feedback

&#60;img width="540" height="1088" width_o="540" height_o="1088" data-src="https://freight.cargo.site/t/original/i/344997222975cf2d99a39994fabfdc144082d67a39e6e71a9df2482ee60b0741/final-gif-1.gif" data-mid="178415946" border="0"  src="https://freight.cargo.site/w/540/i/344997222975cf2d99a39994fabfdc144082d67a39e6e71a9df2482ee60b0741/final-gif-1.gif" /&#62;
&#60;img width="540" height="1088" width_o="540" height_o="1088" data-src="https://freight.cargo.site/t/original/i/6b9adea207692a0976fe7d2bb78c19f32cbff7fe4f651f0f69ca00e1b4af63f7/final-gif-2.gif" data-mid="178415952" border="0"  src="https://freight.cargo.site/w/540/i/6b9adea207692a0976fe7d2bb78c19f32cbff7fe4f651f0f69ca00e1b4af63f7/final-gif-2.gif" /&#62;

Some of the XR performance prototypes created by the students during the workshop



PREPARATION AND TOOLS
To fully immerse themselves in the workshop experience, students were asked to think about something intangible or virtual, such as a memory, a dream, or a future projection, and represent it as a word or simple drawing. They brought this 2D asset to the workshop in either PNG, JPEG, or SVG format. Students were also asked to download, install, and log in to Spark AR Studio, as well as have Instagram or Spark AR Player on their cellphones for testing and experimentation.



&#60;img width="540" height="316" width_o="540" height_o="316" data-src="https://freight.cargo.site/t/original/i/bed2f82eabc8fa77ca2a40103ee917feeed1611c77d5631dfcf613e425c55389/teaching-gif-2.gif" data-mid="178415960" border="0"  src="https://freight.cargo.site/w/540/i/bed2f82eabc8fa77ca2a40103ee917feeed1611c77d5631dfcf613e425c55389/teaching-gif-2.gif" /&#62;


PREVIOUS WORKSHOPS AND CLASSESIn addition to this workshop, I have had the pleasure of teaching other classes related to AR:

2021 - Augmented Reality and Performance Studio (2h Workshop) at Interactive Telecommunications Summer Camp, Tisch, NYU
2021 - Augmented Reality and Performance Studio (2h Workshop) at Brooklyn College
2021 - Big Ideas in the Past and Future of Technology (Graduate Assistant) for Nancy Hachinger, Interactive Media Arts BFA program at Tisch, NYU
</description>
		
	</item>
		
		
	<item>
		<title>ramenhead</title>
				
		<link>https://fernandogregor.io/ramenhead</link>

		<pubDate>Tue, 25 Apr 2023 03:21:41 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/ramenhead</guid>

		<description>
	
RAMENHEAD&#38;nbsp; &#38;nbsp;AR FILTER&#38;nbsp; &#38;nbsp;2022&#38;nbsp; &#38;nbsp;
CLIENT: BIEN INCLUSIVE MOTION DESIGN STUDIO&#38;nbsp; &#38;nbsp; 
POSITION:AR DESIGNER &#38;nbsp; TOOLS:META SPARK STUDIO AND BLENDER
Ramenhead is an AR world effect created together with Bien, an inclusive motion design studio based in Los Angeles, California. The project simulates a snow globe and was part of an XR Holiday card for one of their clients to use in an internal campaign.

In the AR audiovisual experience, you can "open" and "close" the ramen shop by tapping the 3D model.

The animation was inspired by Japanese folk toys called Kyodo gangu and German cuckoo clocks.

&#60;img width="437" height="882" width_o="437" height_o="882" data-src="https://freight.cargo.site/t/original/i/88104fb923c8346ae17f638373886a528cf92fe307cd13fa9b44d5cab522be5c/ColorGraphite-copy.png" data-mid="176544370" border="0"  src="https://freight.cargo.site/w/437/i/88104fb923c8346ae17f638373886a528cf92fe307cd13fa9b44d5cab522be5c/ColorGraphite-copy.png" /&#62;
&#60;img width="540" height="1080" width_o="540" height_o="1080" data-src="https://freight.cargo.site/t/original/i/273f48a69169b20d8d49a0d098d4506af7be37eb3d7a280cec4f0d58238ee547/bien-ar-gif.gif" data-mid="176544336" border="0"  src="https://freight.cargo.site/w/540/i/273f48a69169b20d8d49a0d098d4506af7be37eb3d7a280cec4f0d58238ee547/bien-ar-gif.gif" /&#62;


	





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	<item>
		<title>the firebird</title>
				
		<link>https://fernandogregor.io/the-firebird</link>

		<pubDate>Tue, 23 May 2023 20:48:04 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/the-firebird</guid>

		<description>

	THE FIREBIRD&#38;nbsp; &#38;nbsp;XR SCULPTURE&#38;nbsp; &#38;nbsp;2021&#38;nbsp; &#38;nbsp;
CLIENT:PROTOTYPE&#38;nbsp; &#38;nbsp; POSITION:CREATOR AND DIRECTOR&#38;nbsp; &#38;nbsp;TOOLS:BLENDER, SPARK AR, LENS STUDIO, ILLUSTRATOR, PERFORMANCE

The Firebird is a mixed reality live performance. It tells a more-than-human myth about extinction, migration, and dreams in the context of an environmental emergency. The audience experiences this through choreography, relational physical sculptures and AR layers.



The eyes of the Firebird. Choreographic experiment with AR layer visualized through an AR app


Choreographic experiment without AR layers visualized through an AR app




HOW IT WORKS
As part of performance-installation, the audience dynamically interacts with AR layers, moving in sync with the performance. The piece features unique target trackers, each borne by a different performer. These trackers trigger distinct audiovisual AR sculptures that represent various parts of an unseen critter: the left eye, the right eye, wings, the fire seed technology in the Firebird’s belly, and the tail.

 &#60;img width="1600" height="1191" width_o="1600" height_o="1191" data-src="https://freight.cargo.site/t/original/i/dd08aea5e908816b63274af06051cf3e4dbf432b2ba332b1ae4cd0909c37f5d9/mvOUv7k5D6vdZbOeNZ5jLBNpRCn_SV9NzNvDUXTIsqV4CAR8w_v3DyIv9AD0TgNGfsxymEIexf9r6EG-0vUYt1F0fgS6J2yrTrY4nDkZUkmeuQn7bovx9kaLg4S1wzdU-cpztqidiPoY.png" data-mid="179731405" border="0"  src="https://freight.cargo.site/w/1000/i/dd08aea5e908816b63274af06051cf3e4dbf432b2ba332b1ae4cd0909c37f5d9/mvOUv7k5D6vdZbOeNZ5jLBNpRCn_SV9NzNvDUXTIsqV4CAR8w_v3DyIv9AD0TgNGfsxymEIexf9r6EG-0vUYt1F0fgS6J2yrTrY4nDkZUkmeuQn7bovx9kaLg4S1wzdU-cpztqidiPoY.png" /&#62;The audience can see the AR layers of the moving sculpture through AR glasses or cellphones and Ipads
Audiences can activate these trackers via an app on their cellphone or an AR headset, enhancing their involvement in the collective choreography and their connection to the mixed reality sculptures.



&#60;img width="1296" height="935" width_o="1296" height_o="935" data-src="https://freight.cargo.site/t/original/i/869292a3d632229f1251ba66a015abf12450e7a134500dddb9595894d7ab5867/gif3.gif" data-mid="179732908" border="0"  src="https://freight.cargo.site/w/1000/i/869292a3d632229f1251ba66a015abf12450e7a134500dddb9595894d7ab5867/gif3.gif" /&#62;

THE MYTH


A fire catastrophe destroys The Firebird community, forcing the sole survivor to migrate to the last safe place: A-city, where no one is allowed to sleep anymore. Now, they need to find a way of ensuring that their dream-tree technology won't go extinct.

Earlier experiments with audience interaction


&#60;img width="2598" height="1312" width_o="2598" height_o="1312" data-src="https://freight.cargo.site/t/original/i/1caf71bdaa8dd773044ea0ea2010d3b66ae8e37505e212dc1b278f06d721d04f/Screen-Shot-2023-05-23-at-7.49.56-PM.png" data-mid="179742320" border="0"  src="https://freight.cargo.site/w/1000/i/1caf71bdaa8dd773044ea0ea2010d3b66ae8e37505e212dc1b278f06d721d04f/Screen-Shot-2023-05-23-at-7.49.56-PM.png" /&#62;


SUPPORT

The journey to the prototype stage of "The Firebird" has been supported by several entities:

NYU Tisch School of the Arts Graduate Research Fellowship, 2021-22Summer Round of Sundance Interdisciplinary Program (IDP) granting, 20212 weeks residency at The Brooklyn College Performing Arts Center in partnership with The Public Theater supported by the Tow Foundation, Brooklyn, New York, 2021New York Foundation for the Ars - City Artist Corps Grants, 2021


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/09dd31af506ac802768ab8c84c0a164c94494d8c22ca315797cfe578008f6fbb/firebird-visual-identity-3.png" data-mid="179731401" border="0"  src="https://freight.cargo.site/w/1000/i/09dd31af506ac802768ab8c84c0a164c94494d8c22ca315797cfe578008f6fbb/firebird-visual-identity-3.png" /&#62;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d0b6cb46eb58f1ac9ecea2751713dee87fa86f070c7418526caee62f5e88fefa/firebird-assets.png" data-mid="179735975" border="0"  src="https://freight.cargo.site/w/1000/i/d0b6cb46eb58f1ac9ecea2751713dee87fa86f070c7418526caee62f5e88fefa/firebird-assets.png" /&#62;
Visual Identity by Dawn Sinkowski


CREDITS


Conception, Direction and technology: Fernando Gregório

Production, Strategic development and Visual Identity: Dawn Sinkowski

Assistance: Joyce Lai

Performance: Joyce Lai and Hunter Bryant

Sound: Cy X

Wearable design (phase 1): Wei Kang

Interpreter-creators for (phase 1): Viola Leqi He, Chaski No and Sol Cabrini (solychaski)


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