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<channel>
	<title>fernando gregório</title>
	<link>https://fernandogregor.io</link>
	<description>fernando gregório</description>
	<pubDate>Wed, 31 May 2023 18:04:15 +0000</pubDate>
	<generator>https://fernandogregor.io</generator>
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	<item>
		<title>line players</title>
				
		<link>https://fernandogregor.io/line-players</link>

		<pubDate>Wed, 11 Jan 2023 00:13:17 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/line-players</guid>

		<description>

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	LINE PLAYERS&#38;nbsp; &#38;nbsp;AR FILTER&#38;nbsp; &#38;nbsp;2022&#38;nbsp; &#38;nbsp;
CLIENT:META OPEN ARTS&#38;nbsp; &#38;nbsp;POSITION:AR DESIGNER
&#38;nbsp; TOOLS: SPARK AR, ADOBE ILLUSTRATOR AND BLENDER
Line Players is an AR collective game experience for Instagram Reels based on retro game references and futuristic XR glasses design. It was created in collaboration with Meta Open Arts. The effect interprets the design identity and key visual assets for a Meta international event in Palo Alto, California, in September 2022.
The project included physical activation stations with backdrops and QR codes during a private event in Palo Alto, California.


Click&#38;nbsp;here&#38;nbsp;to open and try the effect on Instagram.

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CREATION PROCESS

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	<item>
		<title>mourning stage</title>
				
		<link>https://fernandogregor.io/mourning-stage</link>

		<pubDate>Thu, 20 Oct 2022 15:58:55 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/mourning-stage</guid>

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	MOURNING STAGE&#38;nbsp; &#38;nbsp;VISUAL EFFECTS(VFX)&#38;nbsp; &#38;nbsp;2022&#38;nbsp; &#38;nbsp;
CLIENT:CARLOS MOTTA AND SIMON(E) JAIKIRIUMA PAETAU&#38;nbsp; &#38;nbsp;
POSITION:VFX DESIGNER AND ANIMATOR &#38;nbsp;TOOLS:ADOBE AFTER EFFECTS, PREMIERE AND PHOTOSHOP
Mourning Stage is a film that uses a series of drawings as a performance score. I worked on creating visual effects using face-tracking technology to animate 2D masks created by the artist Carlos Motta and move in sync with Simon(e)’s Paetau performance. 
These images depict different renditions of the devil in hell. Among this group of demons, there are feminized characters that suggest sexual perversions as typified by the Catholic imagination. In the film, Simon(e) Paetau interprets and responds to the drawings using her body and facial expressions in a ritualistic performance, where the body, fetishized and colonized by morality, is mourned.

&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/88b71d8d81b2178a297087e6fe46e10d30b8ef645fdccff0302b038d47d6b06d/DSC01028.jpeg" data-mid="156514769" border="0"  src="https://freight.cargo.site/w/1000/i/88b71d8d81b2178a297087e6fe46e10d30b8ef645fdccff0302b038d47d6b06d/DSC01028.jpeg" /&#62;&#60;img width="2000" height="1342" width_o="2000" height_o="1342" data-src="https://freight.cargo.site/t/original/i/93f2cede714a0fa320a3c0896ce4fe51044aaea144bdcace241ee9f0017b5ab8/DSC01025.jpeg" data-mid="156514768" border="0" alt="Installation views at Wexner Center for the Arts, Columbus, 2022" data-caption="Installation views at Wexner Center for the Arts, Columbus, 2022" src="https://freight.cargo.site/w/1000/i/93f2cede714a0fa320a3c0896ce4fe51044aaea144bdcace241ee9f0017b5ab8/DSC01025.jpeg" /&#62;Installation views at Wexner Center for the Arts, Columbus, 2022
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	CREDITS

A video by Simon(e) Jaikiriuma Paetau and Carlos Motta

Performed by Simon(e) Jaikiriuma Paetau
Director of Photography
Lola Gómez Castello
Soundtrack
Isabel González Toro
Soundtrack Assistant
José Marulanda
Visual Design (VFX)
Fernando Gregório
Second Camera
Carlos Andrés López
Makeup
María Fernanda Cepeda
Titles
Lauryn Siegel
Colorists
Aleksander Bergan
Martin Backhaus
Sound Mix
Ian Turner

	Lighting Assistant
Luis Hernando Cubillos
Sound
Jesús Guevara
Photography
Camilo Delgado
Field Producer
Juan David Correal
Production Director
Paola Andrea Pérez Nieto
Production Coordinator
Catalina Patarroyo Velásquez
Production
Oficina Inercia Películas
Natalia Ordoñez García
Camilo Cárdenas Suárez
Alejandra Gómez Osorio
Sara Loboa
Elizabeth Hernández
Location
Espacio Odeón, Bogotá
Co-produced by the Wexner Center for the Arts, Columbus and Goethe Institute, Bogotá with support from XI Berlin Biennale
Special thanks to Alejandra Sarria, Espacio Odeón, Bogotá
</description>
		
	</item>
		
		
	<item>
		<title>augmented performance studio</title>
				
		<link>https://fernandogregor.io/augmented-performance-studio</link>

		<pubDate>Thu, 11 May 2023 02:01:04 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/augmented-performance-studio</guid>

		<description>





	AUGMENTEND PERFORMANCE STUDIO&#38;nbsp; &#38;nbsp; AR WORKSHOP&#38;nbsp; &#38;nbsp; 2022

CLIENT: SCHOOL OF THE ART INSTITUTE OF CHICAGO&#38;nbsp; &#38;nbsp; POSITION: AR EDUCATOR&#38;nbsp; &#38;nbsp; 
TOOLS: SPARK AR, ZOOM, PERFORMANCE



Augmented Performance Studio is a 4 hours workshop created when I had the honor of being a guest artist at the School of the Art Institute of Chicago. The experience was tailored for the Mixed Reality Performance class, taught by Mark Jeffrey and Judd Morrissey. The workshop offered an opportunity for students to explore the intersection of AR and performance, using Spark AR, hand-tracking techniques and performance dynamics.&#38;nbsp;

&#60;img width="2586" height="1450" width_o="2586" height_o="1450" data-src="https://freight.cargo.site/t/original/i/c40d689c7811c2aef6fddae0cbfc3a9873be236bf7df92a3fbe671c6c7abd0f1/Screen-Shot-2023-04-25-at-11.13.33-AM.png" data-mid="178415961" border="0"  src="https://freight.cargo.site/w/1000/i/c40d689c7811c2aef6fddae0cbfc3a9873be236bf7df92a3fbe671c6c7abd0f1/Screen-Shot-2023-04-25-at-11.13.33-AM.png" /&#62;
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The workshop was taught via Zoom with the assistance of in&#38;nbsp;person professors and graduate assistants



TOPICS COVEREDDuring the workshop, we explored various topics related to augmented reality, such as:
Introduction to Augmented Reality (AR)
History of AR
Introduction to AI, Deep Learning, and Computer vision
Current State of AR and Future Possibilities
Presentation of my past works in the field
Conceptual and Poetic Approaches to Augmentation and Algorithms
Body Warm-up Focusing on Hands
Hands-on Spark AR Workshop with Hand Tracking Techniques
Student’s results presentation for Feedback

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Some of the XR performance prototypes created by the students during the workshop



PREPARATION AND TOOLS
To fully immerse themselves in the workshop experience, students were asked to think about something intangible or virtual, such as a memory, a dream, or a future projection, and represent it as a word or simple drawing. They brought this 2D asset to the workshop in either PNG, JPEG, or SVG format. Students were also asked to download, install, and log in to Spark AR Studio, as well as have Instagram or Spark AR Player on their cellphones for testing and experimentation.



&#60;img width="540" height="316" width_o="540" height_o="316" data-src="https://freight.cargo.site/t/original/i/bed2f82eabc8fa77ca2a40103ee917feeed1611c77d5631dfcf613e425c55389/teaching-gif-2.gif" data-mid="178415960" border="0"  src="https://freight.cargo.site/w/540/i/bed2f82eabc8fa77ca2a40103ee917feeed1611c77d5631dfcf613e425c55389/teaching-gif-2.gif" /&#62;


PREVIOUS WORKSHOPS AND CLASSESIn addition to this workshop, I have had the pleasure of teaching other classes related to AR:

2021 - Augmented Reality and Performance Studio (2h Workshop) at Interactive Telecommunications Summer Camp, Tisch, NYU
2021 - Augmented Reality and Performance Studio (2h Workshop) at Brooklyn College
2021 - Big Ideas in the Past and Future of Technology (Graduate Assistant) for Nancy Hachinger, Interactive Media Arts BFA program at Tisch, NYU
</description>
		
	</item>
		
		
	<item>
		<title>ramenhead</title>
				
		<link>https://fernandogregor.io/ramenhead</link>

		<pubDate>Tue, 25 Apr 2023 03:21:41 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/ramenhead</guid>

		<description>
	


RAMENHEAD&#38;nbsp; &#38;nbsp;AR FILTER&#38;nbsp; &#38;nbsp;2022&#38;nbsp; &#38;nbsp;
CLIENT: BIEN INCLUSIVE MOTION DESIGN STUDIO&#38;nbsp; &#38;nbsp; 
POSITION:AR DESIGNER &#38;nbsp; TOOLS:META SPARK STUDIO AND BLENDER
Ramenhead is an AR world effect created together with Bien, an inclusive motion design studio based in Los Angeles, California. The project simulates a snow globe and was part of an XR Holiday card for one of their clients to use in an internal campaign.

In the AR audiovisual experience, you can "open" and "close" the ramen shop by tapping the 3D model.

The animation was inspired by Japanese folk toys called Kyodo gangu and German cuckoo clocks.Click here to try the filter on your Instagram.




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</description>
		
	</item>
		
		
	<item>
		<title>the firebird</title>
				
		<link>https://fernandogregor.io/the-firebird</link>

		<pubDate>Tue, 23 May 2023 20:48:04 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/the-firebird</guid>

		<description>

	THE FIREBIRD&#38;nbsp; &#38;nbsp;XR SCULPTURE&#38;nbsp; &#38;nbsp;2021&#38;nbsp; &#38;nbsp;
CLIENT:PROTOTYPE&#38;nbsp; &#38;nbsp; POSITION:CREATOR AND DIRECTOR&#38;nbsp; &#38;nbsp;TOOLS:BLENDER, SPARK AR, LENS STUDIO, ILLUSTRATOR, PERFORMANCE

The Firebird is a mixed reality live performance. It tells a more-than-human myth about extinction, migration, and dreams in the context of an environmental emergency. The audience experiences this through choreography, relational physical sculptures and AR layers.The project is currently in its prototype and research phase, reflecting significant potential for further development. I’m seeking additional support to fully realize its vision. Any form of support will be greatly appreciated.



The eyes of the Firebird. Choreographic experiment with AR layer visualized through an AR app


Choreographic experiment without AR layers visualized through an AR app




HOW IT WORKS
As part of performance-installation, the audience dynamically interacts with AR layers, moving in sync with the performance. The piece features unique target trackers, each borne by a different performer. These trackers trigger distinct audiovisual AR sculptures that represent various parts of an unseen critter: the left eye, the right eye, wings, the fire seed technology in the Firebird’s belly, and the tail.

 &#60;img width="1600" height="1191" width_o="1600" height_o="1191" data-src="https://freight.cargo.site/t/original/i/dd08aea5e908816b63274af06051cf3e4dbf432b2ba332b1ae4cd0909c37f5d9/mvOUv7k5D6vdZbOeNZ5jLBNpRCn_SV9NzNvDUXTIsqV4CAR8w_v3DyIv9AD0TgNGfsxymEIexf9r6EG-0vUYt1F0fgS6J2yrTrY4nDkZUkmeuQn7bovx9kaLg4S1wzdU-cpztqidiPoY.png" data-mid="179731405" border="0"  src="https://freight.cargo.site/w/1000/i/dd08aea5e908816b63274af06051cf3e4dbf432b2ba332b1ae4cd0909c37f5d9/mvOUv7k5D6vdZbOeNZ5jLBNpRCn_SV9NzNvDUXTIsqV4CAR8w_v3DyIv9AD0TgNGfsxymEIexf9r6EG-0vUYt1F0fgS6J2yrTrY4nDkZUkmeuQn7bovx9kaLg4S1wzdU-cpztqidiPoY.png" /&#62;The audience can see the AR layers of the moving sculpture through AR glasses or cellphones and Ipads
Audiences can activate these trackers via an app on their cellphone or an AR headset, enhancing their involvement in the collective choreography and their connection to the mixed reality sculptures.



&#60;img width="1296" height="935" width_o="1296" height_o="935" data-src="https://freight.cargo.site/t/original/i/869292a3d632229f1251ba66a015abf12450e7a134500dddb9595894d7ab5867/gif3.gif" data-mid="179732908" border="0"  src="https://freight.cargo.site/w/1000/i/869292a3d632229f1251ba66a015abf12450e7a134500dddb9595894d7ab5867/gif3.gif" /&#62;

THE MYTH


A fire catastrophe destroys The Firebird community, forcing the sole survivor to migrate to the last safe place: A-city, where no one is allowed to sleep anymore. Now, they need to find a way of ensuring that their dream-tree technology won't go extinct.

Earlier experiments with audience interaction


&#60;img width="2598" height="1312" width_o="2598" height_o="1312" data-src="https://freight.cargo.site/t/original/i/1caf71bdaa8dd773044ea0ea2010d3b66ae8e37505e212dc1b278f06d721d04f/Screen-Shot-2023-05-23-at-7.49.56-PM.png" data-mid="179742320" border="0"  src="https://freight.cargo.site/w/1000/i/1caf71bdaa8dd773044ea0ea2010d3b66ae8e37505e212dc1b278f06d721d04f/Screen-Shot-2023-05-23-at-7.49.56-PM.png" /&#62;


SUPPORT

The journey to the prototype stage of "The Firebird" has been supported by several entities:

NYU Tisch School of the Arts Graduate Research Fellowship, 2021-22Summer Round of Sundance Interdisciplinary Program (IDP) granting, 20212 weeks residency at The Brooklyn College Performing Arts Center in partnership with The Public Theater supported by the Tow Foundation, Brooklyn, New York, 2021New York Foundation for the Ars - City Artist Corps Grants, 2021


&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/09dd31af506ac802768ab8c84c0a164c94494d8c22ca315797cfe578008f6fbb/firebird-visual-identity-3.png" data-mid="179731401" border="0"  src="https://freight.cargo.site/w/1000/i/09dd31af506ac802768ab8c84c0a164c94494d8c22ca315797cfe578008f6fbb/firebird-visual-identity-3.png" /&#62;

&#60;img width="1920" height="1080" width_o="1920" height_o="1080" data-src="https://freight.cargo.site/t/original/i/d0b6cb46eb58f1ac9ecea2751713dee87fa86f070c7418526caee62f5e88fefa/firebird-assets.png" data-mid="179735975" border="0"  src="https://freight.cargo.site/w/1000/i/d0b6cb46eb58f1ac9ecea2751713dee87fa86f070c7418526caee62f5e88fefa/firebird-assets.png" /&#62;
Visual Identity by Dawn Sinkowski







CREDITS


Conception, Direction and technology: Fernando Gregório

Production, Strategic development and Visual Identity: Dawn Sinkowski

Assistance: Joyce Lai

Performance: Joyce Lai and Hunter Bryant

Sound: Cy X

Wearable design (phase 1): Wei Kang

Interpreter-creators for (phase 1): Viola Leqi He, Chaski No and Sol Cabrini (solychaski)


</description>
		
	</item>
		
		
	<item>
		<title>care</title>
				
		<link>https://fernandogregor.io/care</link>

		<pubDate>Thu, 20 Oct 2022 18:56:04 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/care</guid>

		<description>





	CARE&#38;nbsp; &#38;nbsp;AR FILTER&#38;nbsp; &#38;nbsp;2021&#38;nbsp; &#38;nbsp;
CLIENT:META OPEN ARTS &#38;nbsp; 
POSITION:AR DESIGNER
&#38;nbsp; TOOLS:SPARK AR (FACE, HUMAN AND BODY TRACKING) AND ADOBE ILLUSTRATOR
Care was created after the pandemic. As Meta navigated their way back to the office, they faced a transition from mostly digital interactions to working in person, in real life again. To break the ice and engage the Meta community as they returned to work, Meta Open Arts prompted me with a custom set of Spark AR effects. The prompt was designing a set of Spark AR filters that play with the idea of the care emoji interacting with us.

Click here&#38;nbsp;to open and try the effect on Instagram.


&#60;img width="3600" height="4321" width_o="3600" height_o="4321" data-src="https://freight.cargo.site/t/original/i/78813aef5c694b8b4fd71c02870609b1da9da4ec4cc0a7401d55f2f52b2b24c8/IMG_5112.JPG" data-mid="156526309" border="0"  src="https://freight.cargo.site/w/1000/i/78813aef5c694b8b4fd71c02870609b1da9da4ec4cc0a7401d55f2f52b2b24c8/IMG_5112.JPG" /&#62;
&#60;img width="3600" height="4321" width_o="3600" height_o="4321" data-src="https://freight.cargo.site/t/original/i/28ac0bc28d12c980c5a56a87852e61a8f5b91df0cb14d1e7ea06fb902f470723/IMG_5114.JPG" data-mid="162068792" border="0"  src="https://freight.cargo.site/w/1000/i/28ac0bc28d12c980c5a56a87852e61a8f5b91df0cb14d1e7ea06fb902f470723/IMG_5114.JPG" /&#62;
&#60;img width="3977" height="2961" width_o="3977" height_o="2961" data-src="https://freight.cargo.site/t/original/i/5625633a86677010e13e4e8bf6124fa0b429d5967af13173b5448f8bead18229/OpenArts-2022-MPK0020-LuizaDale-RTO-Final-02.jpg" data-mid="156526318" border="0" alt="The project included physical activation installations at Meta&#38;rsquo;s offices around the world" data-caption="The project included physical activation installations at Meta’s offices around the world" src="https://freight.cargo.site/w/1000/i/5625633a86677010e13e4e8bf6124fa0b429d5967af13173b5448f8bead18229/OpenArts-2022-MPK0020-LuizaDale-RTO-Final-02.jpg" /&#62;The project included physical activation installations at Meta’s offices around the world
&#60;img width="3629" height="2722" width_o="3629" height_o="2722" data-src="https://freight.cargo.site/t/original/i/740102e5525a0d2eb0a112b380b3a090c86019c9b8bb86f703cd1fc8e305449b/OpenArts-2022-MPK0021-LuizaDale-RTOCare-Final-01.jpg" data-mid="156526319" border="0"  src="https://freight.cargo.site/w/1000/i/740102e5525a0d2eb0a112b380b3a090c86019c9b8bb86f703cd1fc8e305449b/OpenArts-2022-MPK0021-LuizaDale-RTOCare-Final-01.jpg" /&#62;

&#60;img width="437" height="882" width_o="437" height_o="882" data-src="https://freight.cargo.site/t/original/i/ba8db7b48202eb6708cceb266f2b7a6c071c63d96a07e04563e3c3470a28fb6d/ColorGold.png" data-mid="156526304" border="0"  src="https://freight.cargo.site/w/437/i/ba8db7b48202eb6708cceb266f2b7a6c071c63d96a07e04563e3c3470a28fb6d/ColorGold.png" /&#62;
&#60;img width="437" height="882" width_o="437" height_o="882" data-src="https://freight.cargo.site/t/original/i/e098b092b6c8e7f40cd9abc380fbbe3526fcece93dd9ee8898fbfbafaf06197e/ColorGraphite.png" data-mid="156526305" border="0"  src="https://freight.cargo.site/w/437/i/e098b092b6c8e7f40cd9abc380fbbe3526fcece93dd9ee8898fbfbafaf06197e/ColorGraphite.png" /&#62;
&#60;img width="437" height="882" width_o="437" height_o="882" data-src="https://freight.cargo.site/t/original/i/92c44a691d98711f68a1b85994162dd72bc9d876a14a7f9e606b22288e81af07/ColorSierra-Blue.png" data-mid="156526307" border="0"  src="https://freight.cargo.site/w/437/i/92c44a691d98711f68a1b85994162dd72bc9d876a14a7f9e606b22288e81af07/ColorSierra-Blue.png" /&#62;
&#60;img width="540" height="1092" width_o="540" height_o="1092" data-src="https://freight.cargo.site/t/original/i/8c0621d52248d6e094370fd4d943d59d5a0b79127f09aa65cd3394511dce5758/ezgif-1-20f72d0c9a.gif" data-mid="156526308" border="0"  src="https://freight.cargo.site/w/540/i/8c0621d52248d6e094370fd4d943d59d5a0b79127f09aa65cd3394511dce5758/ezgif-1-20f72d0c9a.gif" /&#62;


CREATION PROCESS

&#60;img width="2880" height="1800" width_o="2880" height_o="1800" data-src="https://freight.cargo.site/t/original/i/06c80946cee85d28a4730861a02202b67a360107ce773779116bed39f6d9929c/Process.png" data-mid="156526320" border="0"  src="https://freight.cargo.site/w/1000/i/06c80946cee85d28a4730861a02202b67a360107ce773779116bed39f6d9929c/Process.png" /&#62;


</description>
		
	</item>
		
		
	<item>
		<title>voices from the cave</title>
				
		<link>https://fernandogregor.io/voices-from-the-cave</link>

		<pubDate>Wed, 14 Dec 2022 16:40:38 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/voices-from-the-cave</guid>

		<description>

.link:hover {
color:rgba(216, 255, 0, 0.9) !important;
}






	VOICES FROM THE CAVE&#38;nbsp; &#38;nbsp;XR INSTALLATION&#38;nbsp; &#38;nbsp;2021&#38;nbsp; &#38;nbsp;
CLIENT: THEATER COMMUNICATIONS GROUP&#38;nbsp; 
POSITION:XR DIRECTOR AND CREATOR
&#38;nbsp; TOOLS: 8THWALL, BLENDER, 3D SCANNING



Voices from the Cave is a mixed-reality installation in which I gathered augmented reality 3D digital portraits of theater and live performance workers to share their visions about the past and future of theater through performative testimonials. 

The project was commissioned by the Theater Communications Group for the event&#38;nbsp; “Emerging from the Cave: Artists Lead the Way, A TCG Forum”.
DOWNLOAD THE PDF

&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/9db3a67f189cc5247ddd41b780a9fa37a4f6f4a7921e32b9c278fed4b851f6db/IMG_3623.jpg" data-mid="161943509" border="0"  src="https://freight.cargo.site/w/1000/i/9db3a67f189cc5247ddd41b780a9fa37a4f6f4a7921e32b9c278fed4b851f6db/IMG_3623.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/29781a40be449bfb1862a04bf1b80f63f1f867aa7dd4d016b425322f35ce5c04/IMG_3645.jpg" data-mid="161943511" border="0"  src="https://freight.cargo.site/w/1000/i/29781a40be449bfb1862a04bf1b80f63f1f867aa7dd4d016b425322f35ce5c04/IMG_3645.jpg" /&#62;&#60;img width="4032" height="3024" width_o="4032" height_o="3024" data-src="https://freight.cargo.site/t/original/i/d7b166afc2d0bed016c85dd590bb01b06dbf5c450418548546f9aa52e8333236/IMG_3599.jpg" data-mid="161943514" border="0"  src="https://freight.cargo.site/w/1000/i/d7b166afc2d0bed016c85dd590bb01b06dbf5c450418548546f9aa52e8333236/IMG_3599.jpg" /&#62;



&#60;img width="437" height="882" width_o="437" height_o="882" data-src="https://freight.cargo.site/t/original/i/99a0aa56cb250526021dc400465a8631b2bd399100c01e7303aa28a952ae5598/ColorColor5.png" data-mid="161943358" border="0"  src="https://freight.cargo.site/w/437/i/99a0aa56cb250526021dc400465a8631b2bd399100c01e7303aa28a952ae5598/ColorColor5.png" /&#62;
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&#60;img width="2048" height="2048" width_o="2048" height_o="2048" data-src="https://freight.cargo.site/t/original/i/739b295974c6a75bc283c59d287d3539099582c8c3c4934fc8781244a123664b/drawing2.jpg" data-mid="161943512" border="0"  src="https://freight.cargo.site/w/1000/i/739b295974c6a75bc283c59d287d3539099582c8c3c4934fc8781244a123664b/drawing2.jpg" /&#62;&#60;img width="2048" height="2048" width_o="2048" height_o="2048" data-src="https://freight.cargo.site/t/original/i/df6a0007b470095f9526a382f45bfc4ddb273311fa600b227d8ece4ed92a13e1/Drawings-used-in-the-installation-as-an-AR-target-tracker.jpg" data-mid="161943513" border="0"  src="https://freight.cargo.site/w/1000/i/df6a0007b470095f9526a382f45bfc4ddb273311fa600b227d8ece4ed92a13e1/Drawings-used-in-the-installation-as-an-AR-target-tracker.jpg" /&#62;Drawings used in the installation as an AR target tracker.

&#60;img width="2034" height="2791" width_o="2034" height_o="2791" data-src="https://freight.cargo.site/t/original/i/4d9e0639a65fe6aa723619bfa9cbeddc74e15591ab15dc3ae20c0678d66559f5/Printed-instructions-were-given-to-the-audience-to-help-them-navigate-the-installation.png" data-mid="161943508" border="0"  src="https://freight.cargo.site/w/1000/i/4d9e0639a65fe6aa723619bfa9cbeddc74e15591ab15dc3ae20c0678d66559f5/Printed-instructions-were-given-to-the-audience-to-help-them-navigate-the-installation.png" /&#62;Printed instructions were given to the audience to help them navigate the installation.



	CREDITS
XR director and creator: Fernando Gregório
Dramaturg: Jesse Cameron Alick
Production: Fernando Gregório and Theater Communications Group

	Web AR developer: Atchareeya Jattuporn
Actors: Abdullah Al-kafri, Ana Verde, Aneesh Sheth, Betty Shamieh, Claudia Alick, Clint Ramos, Hadi Tabal, Mary Kathryn Nagle, Reggie D. White, Sarah Ellis, Ty Defoe
Commissioned by the Theater Communications Group


</description>
		
	</item>
		
		
	<item>
		<title>profile automator</title>
				
		<link>https://fernandogregor.io/profile-automator</link>

		<pubDate>Wed, 14 Dec 2022 17:23:39 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/profile-automator</guid>

		<description>





	PROFILE AUTOMATOR&#38;nbsp; &#38;nbsp;AR FILTER&#38;nbsp; &#38;nbsp;2021&#38;nbsp; &#38;nbsp;
CLIENT:SNIFFIES&#38;nbsp; &#38;nbsp; POSITION:AR DESIGNER
&#38;nbsp; TOOLS:SPARK AR AND ADOBE ILLUSTRATOR
Profile Automator is a face filter created for Instagram. It works as a test that randomly chooses a profile or queer identity for the user playing with it.&#38;nbsp; Sniffies is a modern, map-based, meetup app for gay, bi, and curious guys. 

The effect was created in collaboration with Sam Stone who was part of Sniffies’ communication team. 
Click here to try the filter on your Instagram. 


&#60;img width="3600" height="4321" width_o="3600" height_o="4321" data-src="https://freight.cargo.site/t/original/i/951e7cb50795b23fd27ae64a3ad164f87088f304fb99a22f2ce6b899f1f42a97/IMG_6950.JPG" data-mid="161950078" border="0"  src="https://freight.cargo.site/w/1000/i/951e7cb50795b23fd27ae64a3ad164f87088f304fb99a22f2ce6b899f1f42a97/IMG_6950.JPG" /&#62;
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&#60;img width="437" height="882" width_o="437" height_o="882" data-src="https://freight.cargo.site/t/original/i/8a2b6b306ef1af66505427a50e2586ba6dd05c95ce39d90115ff3f2c10e8e8a9/sniffies1.png" data-mid="161950070" border="0"  src="https://freight.cargo.site/w/437/i/8a2b6b306ef1af66505427a50e2586ba6dd05c95ce39d90115ff3f2c10e8e8a9/sniffies1.png" /&#62;
&#60;img width="437" height="882" width_o="437" height_o="882" data-src="https://freight.cargo.site/t/original/i/3157dfc1116208ae4933e8007fbf1a11f080a978a1d0ed947c6a20612d700c53/sniffies2.png" data-mid="161950069" border="0"  src="https://freight.cargo.site/w/437/i/3157dfc1116208ae4933e8007fbf1a11f080a978a1d0ed947c6a20612d700c53/sniffies2.png" /&#62;
&#60;img width="540" height="1082" width_o="540" height_o="1082" data-src="https://freight.cargo.site/t/original/i/89fe2266778f711e8dc15bef4dfbed1784c12811dd7615f8db9dee81acb7ae86/gif1-sniffies.gif" data-mid="161950080" border="0"  src="https://freight.cargo.site/w/540/i/89fe2266778f711e8dc15bef4dfbed1784c12811dd7615f8db9dee81acb7ae86/gif1-sniffies.gif" /&#62;



&#60;img width="2038" height="1154" width_o="2038" height_o="1154" data-src="https://freight.cargo.site/t/original/i/9dc61e5a66011b5ec3794048e60e670a1b3db5e4f255d9ea41b77e6ed56e663e/Image-3-14-22-at-3.08-PM.jpg" data-mid="162954997" border="0"  src="https://freight.cargo.site/w/1000/i/9dc61e5a66011b5ec3794048e60e670a1b3db5e4f255d9ea41b77e6ed56e663e/Image-3-14-22-at-3.08-PM.jpg" /&#62;The filter went viral and had more then 23 million impressions.



</description>
		
	</item>
		
		
	<item>
		<title>VFX mourning stage</title>
				
		<link>https://fernandogregor.io/VFX-mourning-stage</link>

		<pubDate>Wed, 28 Dec 2022 15:44:29 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/VFX-mourning-stage</guid>

		<description>




	MORNING STAGE&#38;nbsp; &#38;nbsp;VISUAL EFFECTS(VFX)&#38;nbsp; &#38;nbsp;2022&#38;nbsp; &#38;nbsp;
CLIENT:CARLOS MOTTA AND SIMON(E) JAIKIRIUMA PAETAU&#38;nbsp; &#38;nbsp;
POSITION:VFX DESIGNER AND ANIMATOR &#38;nbsp;TOOLS:ADOBE AFTER EFFECTS, PREMIÈRE AND PHOTOSHOP
Mourning Stage is a film that uses a series of drawings as a performance score. I worked on creating visual effects using face-tracking technology to animate 2D masks created by the artist Carlos Motta and move in sync with Simon(e)’s Paetau performance. 
These images depict different renditions of the devil in hell. Among this group of demons, there are feminized characters that suggest sexual perversions as typified by the Catholic imagination. In the film, Simon(e) Paetau interprets and responds to the drawings using her body and facial expressions in a ritualistic performance, where the body, fetishized and colonized by morality, is mourned.

&#60;img width="1333" height="2000" width_o="1333" height_o="2000" data-src="https://freight.cargo.site/t/original/i/88b71d8d81b2178a297087e6fe46e10d30b8ef645fdccff0302b038d47d6b06d/DSC01028.jpeg" data-mid="162938890" border="0"  src="https://freight.cargo.site/w/1000/i/88b71d8d81b2178a297087e6fe46e10d30b8ef645fdccff0302b038d47d6b06d/DSC01028.jpeg" /&#62;&#60;img width="2000" height="1342" width_o="2000" height_o="1342" data-src="https://freight.cargo.site/t/original/i/93f2cede714a0fa320a3c0896ce4fe51044aaea144bdcace241ee9f0017b5ab8/DSC01025.jpeg" data-mid="162938889" border="0" alt="Installation views at Wexner Center for the Arts, Columbus, 2022" data-caption="Installation views at Wexner Center for the Arts, Columbus, 2022" src="https://freight.cargo.site/w/1000/i/93f2cede714a0fa320a3c0896ce4fe51044aaea144bdcace241ee9f0017b5ab8/DSC01025.jpeg" /&#62;Installation views at Wexner Center for the Arts, Columbus, 2022
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	Installation views at Wexner Center for the Arts, Columbus, 2022
	




	Credits

A video by Simon(e) Jaikiriuma Paetau and Carlos Motta

Performed by Simon(e) Jaikiriuma Paetau
Director of Photography
Lola Gómez Castello
Soundtrack
Isabel González Toro
Soundtrack Assistant
José Marulanda
Visual Design (VFX)
Fernando Gregório
Second Camera
Carlos Andrés López
Makeup
María Fernanda Cepeda
Titles
Lauryn Siegel
Colorists
Aleksander Bergan
Martin Backhaus
Sound Mix
Ian Turner

	Lighting Assistant
Luis Hernando Cubillos
Sound
Jesús Guevara
Photography
Camilo Delgado
Field Producer
Juan David Correal
Production Director
Paola Andrea Pérez Nieto
Production Coordinator
Catalina Patarroyo Velásquez
Production
Oficina Inercia Películas
Natalia Ordoñez García
Camilo Cárdenas Suárez
Alejandra Gómez Osorio
Sara Loboa
Elizabeth Hernández
Location
Espacio Odeón, Bogotá
Co-produced by the Wexner Center for the Arts, Columbus and Goethe Institute, Bogotá with support from XI Berlin Biennale
Special thanks to Alejandra Sarria, Espacio Odeón, Bogotá
</description>
		
	</item>
		
		
	<item>
		<title>ar filter line players</title>
				
		<link>https://fernandogregor.io/ar-filter-line-players</link>

		<pubDate>Wed, 31 May 2023 18:04:15 +0000</pubDate>

		<dc:creator>fernando gregório</dc:creator>

		<guid isPermaLink="true">https://fernandogregor.io/ar-filter-line-players</guid>

		<description>

.link:hover {
color:rgba(216, 255, 0, 0.9) !important;
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	LINE PLAYERS&#38;nbsp; &#38;nbsp;AR FILTER&#38;nbsp; &#38;nbsp;2022&#38;nbsp; &#38;nbsp;
CLIENT:META OPEN ARTS&#38;nbsp; &#38;nbsp;POSITION:AR DESIGNER
&#38;nbsp; TOOLS: SPARK AR, ADOBE ILLUSTRATOR AND BLENDER
Line Players is an AR collective game experience for Instagram Reels based on retro game references and futuristic XR glasses design. It was created in collaboration with Meta Open Arts. The effect interprets the design identity and key visual assets for a Meta international event in Palo Alto, California, in September 2022.
The project included physical activation stations with backdrops and QR codes during a private event in Palo Alto, California.


Click&#38;nbsp;here&#38;nbsp;to open and try the effect on Instagram.

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CREATION PROCESS

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