LOG IN END É VIDEO PERFORMANCE 2012
CLIENT: ART PIECE POSITION:VIDEO ARTIST, PERFORMER
TOOLS:ADOBE PREMIERE, VARIOUS GLITCH AND DATAMOSH TOOLS, STUDIO VIDEO RECORDING
Log in end é is a video-performance that marks my early experimentation with performance, video, sound, and glitch art, and was my first video work presented in a public group exhibition. It was created in collaboration with the experimental musician Victor Negri.
The piece presents a virtual body produced through the interaction of physical performance and digital media. Glitch is used not simply as an aesthetic effect, but as a method for disrupting the apparent transparency of the image and exposing the technological systems that construct it. Distortion, repetition, image displacement, and audiovisual corrosion continually assemble and destabilize the body, revealing it as programmed, mediated, and incomplete. The work reflects on the relationship between technological development, human identity, and a culture in which technical progress is not always accompanied by political or humanistic awareness.
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The video was selected and exhibited at the III Xumucuis Digital Art Show, together with works produced by major visual and digital artists from all over Brazil. The catalog for the show can be seen here.
CLIENT: ART PIECE POSITION:VIDEO ARTIST, PERFORMER
TOOLS:ADOBE PREMIERE, VARIOUS GLITCH AND DATAMOSH TOOLS, STUDIO VIDEO RECORDING
Log in end é is a video-performance that marks my early experimentation with performance, video, sound, and glitch art, and was my first video work presented in a public group exhibition. It was created in collaboration with the experimental musician Victor Negri.
The piece presents a virtual body produced through the interaction of physical performance and digital media. Glitch is used not simply as an aesthetic effect, but as a method for disrupting the apparent transparency of the image and exposing the technological systems that construct it. Distortion, repetition, image displacement, and audiovisual corrosion continually assemble and destabilize the body, revealing it as programmed, mediated, and incomplete. The work reflects on the relationship between technological development, human identity, and a culture in which technical progress is not always accompanied by political or humanistic awareness.
The video was selected and exhibited at the III Xumucuis Digital Art Show, together with works produced by major visual and digital artists from all over Brazil. The catalog for the show can be seen here.